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In general, I think that's one of the pictures I'm most proud of. I look at it and, like all my work – well, not all my work – but I see all the things I wish I'd done differently and better. PLUME: Does it surprise you how well the picture has held up? OZ: I'm surprised, pleasantly so, that's become a cult picture for people. I mean, it took us about 8 weeks to shoot the song number with the plant. It was a massive project, but I think that plant was the thing that really. Also, people hadn't done a musical before, and also 007.that huge stage.in the dead of winter.without heat. PLUME: What was the hardest thing to tackle on Little Shop? OZ: Oh, that ******* plant. Both Howard and David liked it, and then we went on – it was a go.
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He liked it, and then he asked if I wanted to rewrite it, and I said, "I'll try." I asked Howard Ashman if he wanted to be part of it and he said no, because I think he thought, "What the hell do I need to work with an inexperienced director for? He'll screw up my script." So I spent about a month, month-and-a-half doing a rewrite on Little Shop, which really used some new material, but mostly restructured a lot of the old material. He said, "Yeah" and I came in and told him my ideas. I called David Geffen through my agents and asked if he was still interested.
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It was the key that opened up the movie to me.
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After about two weeks, I was in Canada doing a job – and I had an idea about how to approach the girls. It had these three girls running around and I didn't get it. It had fourteen songs – as many as My Fair Lady – and it had guest stars, huge sets, and major special effects which were not done digitally, because that's the way it was 15 years ago. They sent the script to me and I met with Fred Spector and I said no. David Geffen had seen Muppets Take Manhattan, and he was interested in me directing Little Shop.
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After Muppets Take Manhattan, I acquired two agents from CAA, Mike Marcus and Fred Spector. Here are the 10 Last Minute Changes That Hurt Buffy The Vampire Slayer (And 10 That Saved It).PLUME: How did you get Little Shop Of Horrors? OZ: It's very interesting. In this list, we’ll be looking at both examples.
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This happens to every TV series, and how the show deals with these problems is what often separates a mediocre show from a great one.īuffy, for the most part, handled its curveballs and last minute ideas incredibly well, though there are some ideas that impacted the series for the worse.
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The cast and crew had to deal with a lot of last minute changes, some of which saved the show and some of which presented challenges that simply proved much harder to overcome. That’s just one of the realities of television, these shows are produced incredibly quickly and Buffy starred a lot of in-demand up-and-coming actors, so nothing ever turned out exactly as expected. Joss Whedon knew what he wanted to do with the show and planned so many things, like Buffy’s sacrifice in “The Gift” and the introduction of her sister, Dawn, years in advance.īut not everything in Buffy was planned. The series continues in comic book form, there are still numerous books being written about it, and even a rebooted TV show in the works.īuffy is famous for tackling serious teenage issues from first boyfriends to addiction to self harm, as well as for being meticulously planned out. Over twenty years after its premiere, it still has a massive, loyal fan base. Buffy the Vampire Slayer is one of the most beloved genre shows of all time.